![]() However, like other aspects of women's history, this tradition has been forgotten and, in the process, maligned. Lisle contends that childless women are part of an ancient and respectable cultural tradition that includes biblical matriarchs, celibate saints, and nineteenth-century social reformers. Without Child explores the facts and fallacies behind childlessness, what it means for women and society, and reminds us of how women can and do embrace this choice. But for those women who are willingly or unwillingly without children, childlessness is a way of life that many of them must constantly defend. Most women grow up thinking they will become mothers. Weaving rich materials from history, literature, religion, and sociology with Laurie Lisle's own and other personal stories, this groundbreaking book does personal stories, this groundbreaking book does what no other has done before - presents childlessness in a multifaceted and positive light. Without Child brings scope and depth to a subject that has long been misunderstood. Without child : challenging the stigma of childlessness / Laurie Lisle Book Bib ID ![]()
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![]() ![]() Sidestepping the usual conventions of narrative, Pond refracts the narrator's uncannily intimate experience in the details of daily life, rendered sometimes in story-like stretches, sometimes in fragments, and suffused with the almost synesthetic intensity of the physical world as we remember it from childhood. Broken oven knobs prompt a meditation on survival that's both haunting and playful a sunset walk leads to an unsettling encounter with a herd of cows the discovery of an old letter recalls an impossible affair. The charms of bananas and oatcakes in the morning and Spanish oranges after sex the small pleasures and anxieties of throwing a party, exchanging salacious emails with a new lover, sitting in the bath as it storms outside. In Claire-Louise Bennett's shimmering debut, an unnamed young woman - wry, somewhat misanthropic, keenly observant - chronicles her life on the outskirts of a small coastal village. ![]() ![]() In a new afterword, Anderson examines the extraordinary influence of imagined communities. He shows how an originary nationalism born in the Americas was adopted by popular movements in Europe, by imperialist powers, and by the anti-imperialist resistances in Asia and Africa. In this greatly anticipated revised edition, Anderson updates and elaborates on the core question: What makes people live and die for nations, as well as hate and kill in their names?Īnderson examines the creation and global spread of the "imagined communities" of nationality, and explores the processes that created these communities: the territorialization of religious faiths, the decline of antique kingship, the interaction between capitalism and print, the development of secular languages-of-state, and changing conceptions of time and space. ![]() ![]() ![]() Since then it has sold over a quarter of a million copies and is widely considered the most important book on the subject. Imagined Communities, Benedict Anderson's brilliant book on nationalism, forged a new field of study when it first appeared in 1983. ![]() ![]() ![]() ![]() Rather, it’s a “specific spiritual tradition derived from an amalgamation of gnostic Christianity, esoteric Judaism and Taoist energy practices.” That vision cemented his faith in magick, spelled with a k – which, he emphasizes, has nothing to do with the hat-trick illusions of David Blaine, nor does it involve Harry Potter-style spell-casting. “It was the first time I felt like was really, physically there,” he says. ![]() But he’d always experienced angels as comforting visualizations, like imaginary friends – until he saw the triangle apparition in his dark cell, where his only regular visitors were mosquitoes and rats. It was part of his spiritual practice of “ceremonial magick”, which he defines as “the art of shaping reality with intention and will”. After the initial shock, he felt “completely encased” in the angel’s clear light.įor years, in solitary confinement, Echols had performed rituals intended to summon protective angels. ![]() ![]() ![]() She was awarded a Canada Council grant on the strength of the book, but had difficulty finding a publisher for her second novel, The Honeyman Festival. Her first novel, No Clouds of Glory (later known as Sarah Bastard's Notebook), was released in 1968. Engel studied under author Hugh MacLennan, finishing her Master's of Arts at McGill University in Montreal in 1957. The book was Engel's fifth novel, and her sixth piece of published writing. The book has been called "the most controversial novel ever written in Canada". The story tells of a lonely archivist sent to work in northern Ontario, where she enters into a sexual relationship with a bear. ![]() It is Engel's fifth novel, and her most famous. It won the Governor General's Literary Award the same year. ![]() Governor General's Literary Award,1976 – Fiction, Englishīear is a novel by Canadian author Marian Engel, published in 1976. ![]() ![]() ![]() She has written for the children’s magazines, Highlights for Children, Appleseeds, and Faces, as well as adult magazines, Vibrant Life and Mendocino Arts. Her 1st picture book, Otto’s Rainy Day was published by Charlesbr idge Publishing and her picture book biographies, Cixi, The Dragon Empress and Sacajawea of the Shoshone was released by Goosebottom Books in Oct. Natasha is a children’s author, freelance writer and playwright. Her latest book with Charlesbridge is Goldy Luck and the Three Pandas. We are very excited to welcome yet another author to our Multicultural Children’s Book Day Spotlight: Shining the Light on Inclusive Authors & Illustrators series! Today we are welcoming author Natasha Yim.
![]() ![]() Once you read his academic works and the appendix of the paperback edition of Misquoting Jesus, you’ll get a different story. In fact, there are relatively few places of uncertainty in the New Testament text and none of them affect any essential Christian doctrine.Įhrman only appears to be at odds with this conclusion. Ehrman appears to be at odds with most New Testament scholars– liberal and conservative– who have long agreed that more than 5,700 Greek manuscripts (many of which you can see here) and over 36,000 quotations from the early church fathers make reconstruction of the original quite certain. ![]() ![]() The conclusions he draws in his popular best-selling book Misquoting Jesus cast doubt on whether we can accurately reconstruct the original New Testament documents. UNC Chapel Hill Professor Bart Ehrman has made quite a name for himself as a critic of the New Testament documents. ![]() ![]() As a designer and author, her work has been available in many stores, including Anthropologie, Barnes and Noble, and Target. ![]() The fruit of this project is shared daily around social media, in publications, and in various creative collaborations and installations.Īs an artist, Morgan has collaborated with a wide range of brands including Coach, Adobe, Vogue Singapore, Aerie, and more. From there, she creates art as a response to their stories and sends it to them before sharing the work publicly. In 2017, Morgan started a project where she invites people to submit their stories to her website. ![]() It was on the road that she cultivated her curiosity and passion for writing, art, and design and slowly began to share her work online. Morgan spent the first couple of years of her professional life as a college admission counselor, and then, as a full-time touring singer-songwriter and musician. Morgan Harper Nichols is an artist and poet whose work is inspired by real-life interactions and stories. YOU CAN FIND DAILY READS AND MORE ON MY APP STORYTELLER. ![]() YOU CAN FIND MY ART ON PRINTS, JOURNALS, STICKERS, AND MORE AT MY SHOP GARDEN24. I SEE ART-MAKING AS A WAY TO CONNECT WITH OTHERS, STAY CURIOUS, AND GROW IN EMPATHY. ![]() MY WORK IS INSPIRED BY STORIES, CONVERSATIONS, AND EVERY DAY. ![]() ![]() But I knew deep down he wasn’t interested in hypotheticals and esoteric explanations about death. So I told him truthfully that I didn’t know what it feels like to die, but as I’ve done a million times before with things I’m not sure of, I promised we could get some books from the library and try to find out. In that awful, quiet moment, I only knew how I felt, and I was shattered. “What was he feeling when he died?” my son asked. ![]() I described how Jupe had been in a lot of pain, that the doctor said he was likely very ill, and that the kindest thing we could do for him would be to relieve him of that pain as peacefully and quickly as possible. Like so many other hard conversations we’d had before, I initially tried to be as matter-of-fact about dying as I could be. It turned out he was far more interested in his death. When he asked, I was so excited to tell my son, who was 4 at the time, all about this amazing dog’s life. Agonizing over my loss and worried that my joy about giving birth was being overshadowed by my sorrow, I was nervous that heartbreak was seeping deep into my bones. For several weeks I cried, unmoving, on the sofa. just before my now-husband and I moved in together, died just a couple of months before my son was born. Jupiter, an American bulldog I rescued from L.A. The first time death came up, my son was asking about an old photo of my dog Jupiter. ![]() ![]() ![]() As a result, she was estranged from her brother Isaac for many years. Evans lived an unconventional life, openly living outside of marriage with George Henry Lewes, a married journalist. ![]() By her own account, Evans used a male pen name in order to be taken seriously by the literary establishment, which often associated women’s writing with “light” entertainment. Many of her best-known novels, including Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Middlemarch (1871–72), and Daniel Deronda (1876), center on the interior and private emotional lives of people in provincial communities. She became the assistant editor of The Westminster Review, a left-wing journal, in 1951, which was an uncommon role for a woman. After the age of sixteen, Evans continued her education independently, teaching herself from the wealth of books in the library of the estate where her father worked. Worried that their daughter would have little success finding a husband, Mary Evans’s parents provided her with an education, which was uncommon for young girls to receive. ![]() Like Maggie in The Mill on The Floss, Evans didn’t meet the conventional beauty standards of her day. Mary Anne Evans (pen name George Eliot) was born in Nuneaton, Warwickshire, England, to Robert and Christiana Evans. ![]() |
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